Achieve your screenwriting goal

Writing a script to sell to Hollywood

If this is your goal you need to understand:

So how do you compete? Learn what they know. The workshops and books listed below will help get you up to speed.

Robert McKee's Story Seminar
Oscar and Emmy-winning writers--and yours truly--have attended Robert McKee's weekend-intensive Story and Genre seminars and for good reason: Mckee detests stories that suck and will provide the foundation you need to develop compelling stories. The Genre:Comedy seminar is particularly critical if you plan to write comedy. If you are a fan of Pixar films, you should note Pixar employees are required to attend McKee's seminars. This is one of the best seminars you can attend.

 

ScreenwritingU
This is producing-team Hal and Cheryl Croasmun's effort to develop a pool of professional screenwriters who want to succeed in Hollywood, and easily the best value for your dollar. Participate in a variety of online workshops to elevate your screenwriting to meet the high industry standards. Hal also organizes events in Los Angeles that brings writers together with producers at the major studios. I highly recommend ScreenwritingU.

 

David Freeman's Beyond Structure
David's weekend workshop, which I've attended, focuses on character and dialogue, and will leave you with techniques that are easy to apply to your story development. While it is "beyond" structure, what you'll discover is how character and story are fully connected.

 



The Writers Journey: Mythic Structure for Writers, 3rd Edition (Christopher Vogler)

Once upon a time.... This book traces the essence of storytelling thousands of years and identifies the basic building blocks of all lasting stories. And why do you need to know that? Well, if what worked thousands of years ago remains true today, you, the writer, owe it to your audience to understand these basics. Beyond that, this book and its principles are required reading in Hollywood, so if you want to succeed there you need to start here.





Story: Substance, Structure, Style and The Principles of Screenwriting (Robert McKee)

This is the first book I recommend to friends who ask me, "what's the best screenwriting book to get?" You will find this book on the shelves of numerous Oscar- and Emmy-award winning writers. And upon reading it yourself, you will understand why, and you will be proud to boast it is on your bookshelf. Particularly powerful is McKee's demonstration of how character and story are interwoven and the elements required to develop an "eventful" scene, including scene analysis techniques that will improve your work. I also strongly recommend attending Robert McKee's Story Seminar.





Art Of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives (Lajos Egri)

Egri's focus on premise and character is unsurpassed. Though considered a guide for playwriting, his insights and instruction can and should be applied to screenplays as well. You will find his ideas referenced in any screenwriting book worth reading, but there's no substitute for the source material, which in great detail covers a story's premise, character development and growth, rising conflict--all the critical elements required to create a compelling ending. This is not a book to be ignored.





The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script (David Trottier)

This aptly titled "Screenwriter's Bible" not only is a great introductory book but also a must-have reference even for experienced screenwriters. It covers the essential basics and provides updated screenplay formatting standards; Trottier is the "Dr. Format" featured in Script magazine.





Making a Good Script Great (Linda Seger)

While many screenwriting books cover the basics, this book is a must-have for elevating your material beyond the basics. Sure, maybe the script you wrote is good, but good is not good enough. There are a ton of "good" scripts out there--but that's a pretty big pile. What pile do you want your script to be in? This book was written by a long-time script consultant and I highly recommend it--especially if you are hoping to sell your script to Hollywood.





Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read (Michael Hauge)

This book will help you distill your compelling, compound-complex stories into simple sentences. And why does that matter? Because, frankly, nobody has the time to listen to your extensive diatribe and, more importantly, nobody has the time to read your screenplay. So you must "sell" them on the idea to read it, disgusting as that might sound. But it's the sad truth. So whether you are pitching your story to a big-time producer or merely trying to gain the interest of an up-and-coming actor to be in your film, you must learn how to succinctly sell your story, and this is one of the best guides available.



 




Copyright © 2009-2010 George Thomas Jr.